Inspired by German grotesk from XIXth century. Driven by the spirit of 1950s Swiss Style. Designed with a hint of constructivist approach. Neue Alte Grotesk is a minimalistic typeface with a distinct character. It is created to connect both new and old. It will look good in juxtaposition with retro-styled illustrations and ultra-modern graphics.
The goal with South Island was to make a font that looked authentically handwritten. Each character had to perfectly flow into the next and maintain a nice balance between variation and legibility. The typeface retains all the texture and grit of the original handwritten characters, making it especially powerful when used for large headers.
South Island comes in a regular version, and a second version which contains alternate versions of each letter A-Z (both upper and lowercase). Try pairing it up with a more traditional serif or sans serif font for endless possibilities.
With smooth curves and a deliciously bold personality, InstaLove Smooth leaves good vibes wherever it goes.
The InstaLove Smooth Brush font is loaded with opentype features including character alternates and a large selection of natural looking ligatures. Scroll through the previews to get a good feel for what it can do.
Included in the glyphs are 8 super handy swashes , and a few extra doodles, to add some extra punch to your designs.
Perfect for making a bold statement, and getting second glances - InstaLove won’t let you down.
Iconic PDF Specimen
FEATURES
- 30 styles: 8 weights in upright, 8 in italic, 6 stencil weights, 6 icons weights, 2 free stencil layers
- +1200 glyphs that covers +220 languages using the Latin alphabet, Greek, Russian Cyrillic
- Opentype features: small caps, positional figures, alternate letterforms, stylistic sets, discretionary ligatures, arrows and extra punctuation
Iconic is a rounded condensed sans serif typeface designed by Andrea Tartarelli together with Cosimo Lorenzo Pancini and Francesco Canovaro at Zetafonts. It’s a multi-purpose workhorse family designed for clear and effective editorial, interface and information design with minimum usage of space. The soft, rounded shapes are all derived from basic circular geometry, but slight humanist touches have been added to make the family look more informal and readable. With his slim, minimal aesthetic, Iconic embodies the spirit of contemporary tech, and the desire for an effortless, natural digital experience. The extensive range of weights allows both for text and display usage. In body copy Iconic excels in clarity from light to bold with a choice of medium and regular for text appearance fine tuning; in display use it allows endless design expressions with a range that goes from the hairline thin weight to the super-fat heavy, all with matching italics. To complement the basic, regular shapes of the Iconic family, a Stencil subfamily has been designed with a more aggressive technical look. Perfect for way-finding, branding and interaction design, the six Stencil weights can also be used next to the base family for a rich textural approach to type setting.
CoolKids was inspired by the song “Signs of Life” by Arcade Fire. Since the lyrics talk about some cool kids we wondered what a typeface with the name cool kids would look like. We immediately knew it had to be laid back yet bold and to stand out from the crowd.
After designing the bold script we decided to include a light, regular and medium weight to offer you more options for your designs.
It comes with initial and final alternates, that show up automatically, to make it feel more natural and similar to handwriting.
Every character was carefully drawn and connections are real smooth.
This casual font-family speaks most Latin languages, both in their basic and alternate forms.
CoolKids is great for creating logos, packaging, posters and much more.
More important than to create a font is to use it… so now it’s up to you to create something awesome with it. Feel free to share your designs with us via email to [email protected]
We would love to see and share them with the world!
Brandbe is perfect for bright headlines, in web as well as in printing.
FEATURES:
Family includes three all-caps fonts:
Three weights / Numbers & Punctuation / Extensive Language Support
Brandbe Light - quiet but confident
Brandbe Regular - the persuasive middleweight
Brandbe Bold - bold and commanding
USE:
Brandbe works great in any branding, logos, magazines, packaging. Each style contains a set of 406 characters supporting 207 different languages..
PF Mellon is a modernist variable grotesque with mixed roots.
Its unconventional aesthetic is the product of an exploration into the art of emphasizing titles, headlines and text in captivating and unpredictable ways. Contrary to conventional practices of highlighting text with heavier weights, PF Mellon proposes an intriguing new scheme based on striking and attention-grabbing compositions of narrow and extended letterforms- even when set in lowercase. Part geometric and part grotesque, PF Mellon’s expressionist alphabet and extravagant style challenge conventions of visual culture in an Art Deco-like manner.
PF Mellon’s rebellious idiosyncrasy takes its cues from the eccentric personality of our popular PF Venue, an earlier geometric sans serif characterized by its daring combinations of non-uniform structures. PF Mellon’s basic design skeleton was influenced by nineteenth and early twentieth century condensed sans serif typefaces such as Stephenson Blake’s Grotesque No.77 and ATF’s Alternate Gothic, adding an extra contrast to the thickness of strokes.
PF Mellon is also available as a variable font format which you may request it free of charge from Parachute® once you purchase the whole type family.
Winslow Book is a playfully modern typeface with 6 weights and packed with styling features. Delicate features give it a playful feel while keeping Scotch Modern attributes of vertical stress, bracket serifs and ball terminals, while unique features give it a personality of its own. Winslow was designed to be a perfect typeface for text and display purposes.
Because optionality is always fun, Winslow comes with an array of alternative features that add and extra bit of flare. From stylistic alternatives to tail serifs (in K, k, d, h, m, n) to complete new character designs (for g, y and &) a designer can choose between which style they need for any project. Discretionary ligatures also create alternatives to all capital letter combinations.
The family also comes with a playful set of italics that compliment the roman and come with their own set of alternatives.
Hefring Slab is a geometric Slab Serif type family. Based on simple geometry, it has minimal stroke contrast, solid serif presence and a uniform thickness of strokes. The family consists of 20 fonts: 5 weights in 4 widths, each in Roman and Italic. Inspired by the work of the renowned Margaret Vivienne Calvert, Hefring Slab is robust, clear and functional. Opentype features include alternative characters, arrows, tabular figures, ligatures and fractions.
Inspired by the “Lollapalooza” logo.
The intention was to design a cheerful, entertaining typography. Lolapeluza works perfectly for designs for children and young people. 17 variants are also included from Thin to the Black, Symbols and alternatives!
Galix is a technical sans designed to look futuristic without any of the retro appearance often found in this genre. It has a squarish, slightly condensed anatomy, and is characterized by thin joints and deep ink traps that add a sparkle to the otherwise monoline typeface. In the italic styles, these cuts are accentuated even more which creates a feeling of speed in the letterforms.
Galix is optimized for display typography (the ascender height is the same as the cap height, and the spacing is somewhat tight) but the middle weights are very readable at smaller sizes, where I'd recommend adding a little tracking. OpenType features include ft and tt ligatures, stylistic sets/alternates, automatic fractions, tabular, superscript and subscript figures, case sensitive forms.
Perfect for websites, apps, infographics, magazines and logotypes, Galix is technical but with a warmth and personality that is often missing from this genre.
Litmus is the newest typeface from ITF founder Satya Rajpurohit. It is a slightly condensed humanist sans serif design, with a tall x-height and strokes that end with either horizontal or vertical terminals, instead of diagonals. Ascenders rise noticeable above the tops of capital letters, while the fonts’ numerals are slightly shorter than the caps. Litmus’s interior counterforms are rather open. There are five weights on offer: the Light is monolinear, but the stroke-contrast grows with every weight. The amount of contrast in the Bold is quite high. Each Litmus font makes use of a double-storey ‘a’ and single-storey ‘g’. The fonts may be put to excellent use for text on websites, or in print – especially in documents where a little space-saving is necessary.
