Rachel McNeil

Get your aviators on and hit the road with Starlit Drive - a fast paced, stylish signature font with a retro edge. With swift strokes and authentic dry textures, it’s an irresistibly charismatic & confident font choice for a range of design projects.

Starlit Drive includes 2 font files with added features;

1. Starlit Drive • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation.

2. Starlit Drive Swash • Type any a-z character in this font to generate one of 20 swashes. These fast strokes are great for underlining your Starlit Drive text and adding some extra finesse to your lettering.

Ligatures • Are available for 30 lowercase character pairings when using the Starlit Drive font. Use these double-letters to help the text flow more naturally or for an additional layout option. These are accessible via software with opentype capability, by turning on ‘Discretionary Ligatures’, or via a Glyphs panel.

End Characters • Are available for all lowercase characters when using the Starlit Drive font. Use these characters at the end of your word to add a stylistic 'end-swash'. These are accessible via software with opentype capability, by turning on ‘Stylistic Alternates’, or via a Glyphs panel.

Eastville Square is a handwritten script collection by Cindy Kinash. This collection includes two styles, two weights (regular/bold) and free words. Style one includes connected lower case letters and style two includes non-connected lowercase letters. Both styles come with alternate tales.

Eastville Square supports most of Central European and Eastern European languages. Eastville Square (US) supports English North America. Use Eastville Square for music promotions, billboards, products, packaging, fashion, film, magazines and murals. Fonts designed by Cindy Kinash and posters by Corinne Alexandra.

Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.

Spencer is a calligraphic semi-serif type family that has been carefully designed to provide easily distinguishable letterforms that are practical in use, as well as aesthetically appealing. It’s natural and organic forms comes from a deep consideration of the efficiency of the visible word and provides the typeface with a distinct and unique voice.



Named after Herbert Spencer, an educator and researcher of legibility at the Royal College of Art in the sixties and seventies, and influenced by other early typographers and legibility researchers, such as Walter Tracy and John Harris. Spencer was designed as part of a legibility study by Sofie Beier and Kevin Larson.

Venn has been designed to respond to the typographic needs of the most demanding brands and users, with 25 styles from Light Condensed to ExtraBold Extended. This range allows designers to choose the right style in print, web, or app.

Hops And Barley - a Vintage Font Collection.

Hops And Barley includes following:
• 6 fonts - a textured and clean version of each
• Catchwords, textured and clean version
• Ornaments, textured and clean version

Hops And Barleys’ core is four font styles. Fonts are designed in the same proportions and they have the same soft edges so that they work great together. Here’s a short introduction to the fonts

• Hops And Barley 1 -A Connected Script with Contextual, Swash, Stylistic and Titling Alternates
• Hops And Barley 1b -A Bold version of Script
• Hops And Barley 2 -A Serif vernacular Swash, Stylistic and Titling Alternates
• Hops And Barley 3 -A sturdy Sans Serif with a wide character.
• Hops And Barley 3b -A Bold version of Sans Serif
• Hops And Barley 4 -A Condensed Sans Serif
• Hops And Barley 5 -A set of 61 Catchwords
• Hops And Barley 6 -A set of 71 Pictograms

Hops and Barley fonts have rugged outline and eroded texture inside the letters. Hops And Barley C stands for Clean - they are an identical set of the styles but they come with straight and clean outlines and softened edges.

Hops and Barley fonts work great together or on their own. They’re a fantastic choice for any display use and when paired they can cover the whole display part in any project from website to packaging and from poster to logo.

Have Heart is a set of 2 hand-made marker pen fonts, designed to combine perfectly and allow you to create stunning hand-lettering quickly and easily. Also included is a set of 12 bonus swashes, ideal for giving your text that final touch of finesse!