Rachel McNeil

Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals for the better setting of fractions. Many of Astrup’s capital letters seem very geometric. For example, the ‘G’ does not have a spur at its bottom-right, and the tail of the ‘Q’ is a simple, vertical stroke. The lowercase ‘a’ in the Astrup fonts is double-storey, while the ‘g’ is single-storey. The ‘f’ and ’t’ are very wide. The dots on the ‘i’ and ‘j’ – as well as the fonts’ dot-based punctuation and diacritical marks – are circular. Astrup is an excellent selection for use in branding, or in other kinds of corporate identity design. It may also be put to good use in editorial designs for publications about contemporary lifestyle issues. Astrup is the work of Frode Helland, a type designer from Norway.

Spoiled is a rough handwritten brush font. It has a natural style which makes it perfect for branding, advertising, poster design, logo, book covers, magazines, packaging, website headers, greeting cards, apparel designs, merchandise, fashion campaigns, newsletters, album covers, and quote designs and more.

Introducing Rosewell, presented with 7 font variations with different styles. Rosewell has a very interesting font type and sans serif script to be combined so that it is more elegant and amazing. Rosewell also has two different characters in each sans serif letter including clean and rough to give a retro impression. Rosewell itself was inspired by a variety of handwriting arts that are often ornamented in cafes and lounges and also eccentric urban mural arts so that Rosewell has its own charm when used. We keep this font looking elegant, classy, easy to read, stylish, easy to remember, and easy to use. Rosewell is the best choice for logo design, quotes, album covers, posters, business cards, and many other design projects.