Rachel McNeil

Didonesque Script has the flair of a script typeface, yet retains the rigid structure and incline of its cousins in the Didonesque family. This makes for an interesting approach – the flamboyancy of this script is restrained which resonates a distinctly reserved and formal tone. This typeface is perfect for formal occasions, with its main intent for use in short runs of text, headlines, branding and logo applications. Open Type features are utilized to good effect – positional forms, contextual alternates, ligatures, stylistic alternates, and old style figures all add value to Didonesque Script. There are four weights, from delicate to voluptuous (Regular, Medium, Bold, and Black), which are replicated in “Display” versions – these are designed for use at larger point sizes. Key features: • 4 weights in two styles – Regular and Display • Positional Forms (when activated) ensure the correct glyphs appear in context as you type • Full European character set (Latin only) • 550+ glyphs per font.

Under Weak is an amazing and bold script, suitable for a large number of designs. This font has two styles, clean and rough. With two styles, you can choose according to the project you're working on.

Meet Allrounder Grotesk, a decent and modest font and the first member of the multipurpose Allrounder superfamily. The multitalented typeface was developed from 2018 to 2020 by Moritz Kleinsorge. It lays the foundation for Kleinsorge’s Allrounder superfamily, a series of typefaces sharing the same color and horizontal metrics (cap height, small cap height and x-height). The aim of this series is to create a typesetting system whose components match each other perfectly. Look at Allrounder Grotesk as the first part of a design kit: every serif typeface that will follow may be easily combined with Allrounder Grotesk. A workhorse that lives up to its name, Allrounder Grotesk consists of ten weights ranging from a delicate Air to a powerful Black with 900+ glyphs per font. Each weight is accompanied by carefully hand-corrected italics. The sans serif typeface supports more than 200 Latin-based languages, containing the complete “LatinPlus” glyph set developed by underware. It also provides you with plenty of OpenType features and additional goodies: small capitals, ten sets of figures, case-sensitive forms, ligatures, superiors, fractions and arrows. Equipped like this, you’ll be ready for any kind of high-quality typesetting scenario you might encounter. Complementing Allrounder Grotesk, you will soon find Allrounder Serif, a Renaissance Antiqua whose design informed its Grotesk counterpart. While the construction principles of these two font families is completely independent of each other, they still harmonize due to sharing some key characteristics, such as metrics and color. In any kind of design, in any type of medium, working with Allrounder Grotesk is effortless. That’s why Allrounder got its name. Stay tuned for more.