Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes.
Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.
The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters.
The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces: Tazugane Gothic (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.
Seol Sans has over 18,000 glyphs, and supports the Adobe-Korea1-2 and KS X 1001:2004 character sets.
Polyphonic is a highly versatile slab serif typeface comprising 60 fonts across 6 weights and 5 widths. It is a no-nonsense, clear and legible type family whose multiple voices will suit numerous typographic applications. Its overall personality is polite, understated and formal – there are no frills with this typeface, it conveys messages simply and efficiently without hyperbole.
Polyphonic’s lighter weights are great for body text and its heavier weights the perfect complement for branding, titles, headings and logotype options. Small Caps are included with each font and available with one click, as are Old Style Figures, there is extensive language support too – European/Latin only.
Key features:
• 6 Weights in Roman and Italic
• 5 Widths – Condensed, Narrow, Regular, Wide, Extended
• Small Caps
• Old Style Figures
• European Language Support (Latin)
• 600 glyphs per font.
See more detailed examples at the Polyphonic microsite.
Quiche Sans is a high-contrast, sans serif typeface with monoline stroke endings, angled stems, and geometric proportions. A sibling to the Quiche family, with the ball terminal endings removed. With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.
The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression and tapers out the stroke endings for a sophisticated monoline appearance.
Quiche Sans has many OpenType features, including:
• Multiple stylistic alternates
• Swash capitals
• Ligatures
• Fractions, subscripts, and superscripts
This font has extensive Latin language support for Western, Central, and South Eastern European.
Body graphic project at Behance
Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.
Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.
Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques.
For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights.
All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.